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Akshay and Kareena’s Surprise Box‑Office Slumps Shake 2026

By Screen Entry Desk · 20 September 2026

Akshay and Kareena’s Surprise Box‑Office Slumps Shake 2026

Even before the year ends, two high‑profile releases—Priyadarshan’s Haiwaan and Meghna Gulzar’s Daayra—have stunned the market with dismal openings, prompting fresh conversations among actors, directors and producers.

2026 is still in its infancy, yet the Telugu and Hindi film circuits have already felt two seismic tremors at the box office. Within a span of just fourteen days, two much‑anticipated films—Priyadarshan’s action‑drama Haiwaan, headlined by Akshay Kumar and Kareena Kapoor, and Meghna Gulzar’s intimate thriller Daayra—have both underperformed, turning what seemed like guaranteed hits into cautionary tales.

Haiwaan arrived with a star‑studded launch, massive promotional spend and a script that promised high‑octane entertainment. However, the opening day collections fell far short of the Rs 150 crore benchmark set by recent blockbusters, and the film’s momentum stalled after the first weekend. Industry insiders point to a saturated release calendar and audience fatigue with formulaic action as key factors.

Daayra, a stark departure from commercial fare, opened to a modest Rs 1 crore—an opening that would be considered a whisper for a Meghna Gulzar‑directed project. The film’s niche storytelling and limited star power failed to draw the usual crowds, highlighting the risk of niche content in a market still driven by star value.

For casting directors and producers, these outcomes serve as a wake‑up call. The traditional safety net of bankable stars is no longer a guarantee of box‑office success, and there is a growing appetite for fresh talent and innovative narratives. Many filmmakers are now re‑evaluating their slate, looking to balance star vehicles with content‑driven projects.

The twin setbacks also open a window of opportunity for emerging actors and creators. As studios become more cautious, they may turn to fresh faces and unconventional scripts to capture audience interest. In a year that promised record‑breaking numbers, the biggest surprise may be the shift in how projects are green‑lit and marketed.